THE 2012 LONDON OLYMPICS & ILLUMINATI SYMBOLISM

Posted by FS On Friday 27 July 2012 2 comments


REVIVAL AND HISTORY OF THE OLYMPIC GAMES

Revival of the Olympic movement in modern history may be credited to French Freemason Baron Pierre de Coubertin. De Coubertin was inspired by Dr William Penny Brookes who had organized a national Olympic Games at Crystal Palace in the United Kingdom, in 1866, who had also adopted ideas from the Evangelis Zappas revival of the Olympic Games in Greece. The statue of Baron Pierre de Coubertin at Atlanta’s Centenial Olympic Park features the Occultic step pyramid, surrounded by the Two Towers or pillars with the Olympic rings flocked by doves above.



Pillars of Boaz and Jachin, first 3 degrees of Freemasonry

The origins of the Ancient Olympic Games are unknown, but several legends and myths have survived. One legend suggests the ancient Olympic Games were founded by Heracles (the Roman Hercules), a son of Zeus. The ancient Olympic Games grew and continued to be played every four years for nearly 1200 years. In 393 CE, the Roman emperor Theodosius I, a Christian, abolished the Games because of their pagan influences.
Whatever the origin, the link to Zeus is undeniable as Olympia was made a shrine to Zeus in 1000BC. Young Greeks competed as an act of worship to Zeus. The lighting of a flame at the altar of Zeus marked the opening of the Games. When they were ended the flame was extinguished.
At the beginning of every Olympics or FIFA tournament there is an opening ceremony in which enormous sums of money are invested into creating an atheistically pleasing entertainment for the crowds. The ceremonies are often linked to ancient pagan (either Babylonian, Egyptian, Greek or Roman) rites and rituals in a colorful display of artistic re-enactment. Sport arena mimic the ancient Roman colosseum and the ruling party again recreate ancient acts of worship before the eyes of blinded men. The displays are meant to be ‘innocent’ to the untrained eye of the spectator – yet the applause rings home the naivety of mankind in engaging in a festival meant to pay homage to demons.
The origins of the Ancient Olympic Games are unknown, but several legends and myths have survived. One legend suggests the ancient Olympic Games were founded by Heracles (the Roman Hercules), a son of Zeus. The ancient Olympic Games grew and continued to be played every four years for nearly 1200 years. In 393 CE, the Roman emperor Theodosius I, a Christian, abolished the Games because of their pagan influences.
Whatever the origin, the link to Zeus is undeniable as Olympia was made a shrine to Zeus in 1000BC. Young Greeks competed as an act of worship to Zeus. The lighting of a flame at the altar of Zeus marked the opening of the Games. When they were ended the flame was extinguished.
At the beginning of every Olympics or FIFA tournament there is an opening ceremony in which enormous sums of money are invested into creating an atheistically pleasing entertainment for the crowds. The ceremonies are often linked to ancient pagan (either Babylonian, Egyptian, Greek or Roman) rites and rituals in a colorful display of artistic re-enactment. Sport arena mimic the ancient Roman colosseum and the ruling party again recreate ancient acts of worship before the eyes of blinded men. The displays are meant to be ‘innocent’ to the untrained eye of the spectator – yet the applause rings home the naivety of mankind in engaging in a festival meant to pay homage to demons.



The Calabash is a vessel used for drinking in South Africa. YET at the FIFA 2010 games the calabash is a large cooking pot surrounded by people dancing the drum beating and smoke coming out of this ‘pot’. This is indeed symbolic of a black magic ceremony

Why was a beetle chosen? Ancient Egyptian hieroglyphs displays the image of the beetle translated as “to come into being”, “to become” or “to transform”.
The ‘cultural program’ forms the foundation of the rest of the gaming events whereby the participants from the sidelines are pulled into a spectacle of worshipping an ‘ideal’. The theme almost always representing the idea of a better (humane) world. Hidden behind this ideal is the creation of massive idiocy ( that is mentally deficient person) is a strategic landmark for the bourgeoisie in the hope to maintain capitalism and a very pyramid scheme. This is why sport is endorsed politically as an instrument to pacify the masses with endless simulated entertainment.
Sporting arenas turn into modern day temples and the sporting men have become the gods, the ‘gladiators’, circus players or stuntmen. To add to the irony the sportsmen now recreated to a god like status are from the very bottom layers of society – primarily the very poor, rated by the elite as the ‘lower race’. May I just state that the best sportsmen produced are those who have had to struggle primarily children from black ghettos. Controversial as it may seem, this was the same principle used in ancient Rome – where the lower race would be put in the arena and made to become the feast of animals or the prey of another man for the entertainment of the masses. Martin Luther King dubbed ‘black’ sportsmen as the ‘black gladiators of the XX century.’ These men are then worshipped in society as achieving an ideal or ‘living the dream’. There is no doubt that any accomplished sportsmen lives a better material life- a life to be admired by the general public BUT also a life that serves as a constant distraction for the middle class man. The same distraction powers the economy of elitism. Distraction of mankind aids the elites plan to usher in their main hidden agenda which is a New World Order (NWO). Such an agenda of ushering in the NWO can be seen illustrated on most of the Olympic mascots or logos similarly with FIFA. Let us examine a few of these logos: 



The rising star, the rise of the Phoenix, the rise of the anti-christ


Phoenix that rises out of the ashes together with Olympic emblem


An eagle (Phoenix) mascot holding the torch (flame). One of the symbols linked to the Olympic Games is the Occultic Promethean Torch. The Occultic and pagan nature of the Olympic Games may be traced to the origin of the ancient Olympics. The Games first started in Olympia, Greece, a sanctuary site for the Greek gods, especially Zeus. The flame is also seen on the STATUE OF LIBERTY and the PARAMOUNT PICTURES PRESENTS LOGO.


Occultic pentagram and the meaning of the 5 circles which are not a representation of the continents but are rather circles on all points on the pentagram


The true meaning of the 5 circles on the OLYMPIC logo. The emblem of the Olympic Games is composed of five interlocking rings (blue, yellow, black, green, and red respectively) on a white field. First of all the symbol consist of five rings. The correlation of the five rings to the five continents simply doesn’t hold up under scrutiny. The exclusion of Antarctica, because it is largely uninhabited except for some small research stations, makes sense. However if the Americas are to be considered as one continent, then one would equally expect Eurasia to be considered as one continent, and thus one should end up with four and not five rings. Baron Pierre de Coubertin specifically decided to include five rings. The number five is considered powerful in Western magic, and is represented by the pentagram, or five-pointed star.



ZION = LONDON “the chosen nation”

LONDON OLYMPICS – THE CURSED FLAME THAT FORMS SATAN’S TEMPLE

 On the 10th of May, the flame was lit  in a ceremony held near Athens at the Temple of Hera on Mt. Olympus. Women as priestesses  prayed and sang and honored were be given to Zeus in this ritual as the sun’s rays light the fire that was paraded around Greece, then flown to the UK.
A big deal is made of this flame, and it really is a big deal because it’s a ritual element that bears with it a curse. It has only ever been a devoted thing, an element of accursed idolatry, but this year many of us have a greatly heightened expectation for a magnified presence of evil as the spell it casts magickally forms the temple described in the Olympic Hymn.



THE NUMBER 5 SYMBOLISM

  • Five circles on the Olympic Emblem
  • The Hermetic Order of the Golden Dawn explains that the number 5 symbolizes man standing midway between 1 and 10.
  • The pentagram or five-pointed star also represents Man, with his head in the sky and his arms and legs outstretched.
  • This number represents the five fingers, the five senses, and temptation — humanity.
  • The elements are: metal (white), wood (green), water (blue), fire (red), and earth (yellow). These are represented by the same five colors chosen by Baron Pierre de Coubertin for his Olympic symbol.



THE FIVE COLOURS AND THEIR SYMBOLISM
All six colors used in the Olympic symbol have a significant meaning to Freemasons. As a Freemason, De Coubertin understood the symbolic meaning of the colors he selected for the Olympic Symbol. The Olympic Symbol is placed on a white background.
  • In Masonry and elsewhere white is the symbol of purity. The idea of purity is represented by white garments worn within the Masonic Lodge. The Masonic symbol of the lambskin or white leather apron is explained, in part, to each candidate as follows: “The lamb has in all ages been deemed an emblem of innocence; he, therefore, who wears the lambskin as a badge of Masonry, is thereby continually reminded of that purity of life and conduct, which is essentially necessary to his gaining admission into the Celestial Lodge Above, where the Supreme Architect of the Universe presides.” Clearly for Freemasons such as De Coubertin purity was something to be achieved by mankind’s own good deeds.
  • For the Olympics these ideas are conveyed in the Olympic Oath. In the Occult white is associated with truth, purity, cleansing, healing and protection. It is a good general healing color for the removal of pain and suffering. It signifies a high level of attainment, a higher level soul incarnate to help others.
  • The first ring in the Olympic symbol is blue. Blue is the supreme color of Masonry. It is the unquestioned Masonic possession of every Mason. Blue is acknowledged by every Mason to belong to us all and no Mason, whatever his degree, questions the Master Mason’s ownership of blue. Blue also has a place in symbolism which is second to that of no Masonic color. The use of blue in religious ceremonials, and as a symbol, comes to Masonry from many of the different peoples of antiquity including the Hebrews, the Druidical Mysteries, the Babylonians, the Hindu, and the medieval Christians. Blue was the symbol of perfection to the Hebrews, to the Druids the symbol of Truth, to the Chinese the symbol of Deity, and to the medieval Christians it was the symbol of immortality. So, for the Mason, the color of his Master Mason’s lodge is the symbol of perfection, truth, immortality and Deity. Perfection would mean enlightenment. Truth would be the truth that can only be known through the Mystery Schools. Immortality refers to salvation offered in another life. Masons think that salvation refers to being brought from the material to the spiritual or enlightenment. Masonry allows one to reflect on a well-spent life and to “die in the hope of a glorious immortality. The Deity, is the deity of the Olympics Zeus. In the Occult blue is the color of spirituality, intuition, inspiration and inner peace. It is also associated with sadness and depression (the “blues”). In healing blue is used for cooling and calming, both physically and mentally. Blue indicates serenity, contentment and spiritual development.
  • The second Olympic ring is black. Black from the remotest antiquity has been the symbol of grief and such is its significance to the Mason. The black ring forms a contrast against the white background brining to mind the Masonic Pavement of a lodge’s floor. The Mosaic Pavement is emblematic of human life, checkered with good and evil. The beautiful flooring, we are further told, by reason of it’s being variegated and checkered , points out to us the diversity of objects which decorate and adorn the whole creation, the animate as well as the inanimate parts thereof. All of this would be represented by the color black. Black is the absence of color. It represents the unconscious and mystery. Its visualization can help promote deep meditation. Black also stands for evil. It also signifies some kind of blockage or something being hidden.
  • The third ring is colored red. Red is the color of fire, and fire was to the Egyptians the symbol of the regeneration and the purification of souls. Red as a part of the Olympic Symbol would also stand for that fire of enlightenment represented by the Olympic Torch. In the Masonic system, red is the symbol of regeneration. Thus red is the color assigned to the Royal Arch Degree since that degree teaches the regeneration of life. Red symbolizes energy, passion, strength, courage, physical activity, creativity, warmth, and security. It is also associated with aggression. In healing, use red to bring warmth and burn out disease. Red is a powerful color and should be used in moderation. Red also signifies materialism, materialistic ambition, a focus on sensual pleasures and a quick temper.
  • The fourth ring is colored green. Green, being the unchanging color of the various evergreen trees, shrubs, and so forth, is, in the system of Masonry, the color symbolic of the unchanging immortality of all that is divine and true. This conception Masonry has received from the ancients, more particularly the Egyptians. For example, with the Egyptians, as noted above, Ptah was pictured as having green flesh. Also, the goddess Pascht, the divine preserver, and Thoth, the instructor of men in the sacred doctrines of truth, were both painted with green flesh. So the Mason, adhering once more, as he so often does, to the conceptions of the Egyptians, chooses for his symbol of the immortality of the soul which he knows to be divine and true an object, the acacia, whose color is unchanging green. Green symbolizes money, luck, prosperity, vitality and fertility. It is also associated with envy. Green is the color of healing; it is beneficial in all healing situations. Green signifies balance, peace and often indicates healing ability.
  • The fifth and final ring is yellow. Yellow was to the ancients the symbol of light and thus illumination. Yellow is a true Masonic symbolic color since it symbolizes to the Mason that Great Thing to the finding of which his Masonic Search is devoted and to the source of which his Masonic pathway leads the Light of Truth or enlightenment. Yellow symbolizes intellect, creativity, happiness and the power of persuasion. It is also associated with cowardice. Yellow signifies intellectual development, for either material or spiritual ends.
Each ring on in the Olympic Symbol is actually a circle. The Circle is a symbol for the cycle of eternal life. In its simplest form, it is the universal symbol of Unity, infinity, the Moon or Goddess. To pagans, it represents Mother Earth of the feminine spirit of the Cosmos. Occultist regards the circle as a very important geometric shape. In Book 4, on page 57, Aleister Crowley explains that the circle announces the Nature of the Great Work. The Magician chooses the circle rather than any other lineal figure for many reasons. The circle affirms the Magicians identity with the infinite. The circle affirms equal balance in the work being done. The Magician also affirms the limitation implied by his devotion to the Great Work. The Magician no longer wanders aimlessly in the world. Jung concurred with Crowley when he explained that the circles connote wholeness. Some historians have suggested that the five rings also commemorated the successful completion of the first five Modern Olympic Games, which would appear to fit in with the Occultic meaning of the number five.
Another possible meaning for the selection of five Olympic rings might be traceable to Blavatsky’s Root Race Theory. According to the theory, the large time periods in her esoteric cosmology and symbolizes stages in human evolution. The large time periods of the root races can be compared to the geological time periods or to the Yugas in Hindu Mythology. The theory suggested that the Aryan race was the fifth Root Race. Thus the Olympic rings would be a tribute to the Aryan race. This explanation makes sense given the fact that Baron Pierre de Coubertin had a very cozy relationship with the Nazis.
The elite are a powerhouse of control moguls that control the sporting events to arouse excitation for the middle and lower classes. The elite have a mapped conclusion as to how to end the games so as to keep the classes as entertained as possible. Social engineers have studied what excites mankind for generations and generations the same primitive instincts we are lead by are the very instincts that the engineers play on. For example there must always be a hero and an adversary. This rowels up the attention of the working class in support for such a hero. Contrary to this during soccer matches the crowd exercises patriotism towards his country or his team. So within an arena we have two opposing teams and two opposing audiences. This same patriotism has been used to drive both World Wars. This is an age old secret that has been kept hidden from mankind in order to manipulate him. The principle is called DUALISM.

DESENSITISING THE MASSES WITH OCCULT RITUALS

The ritual has nothing to do with football and again the football is only used as a pied piper to attract the audience to watch and witness the event. In ancient times real physical battles took place in arenas (gladiators etc) instead of football matches and people were literally slaughtered to create the necessary levels of emotion (creation of spiritual energy). The battles were always in honour of the sun gods or their agents (Royalty) and that is exactly what is happening at the world cup in modern times. It is not entertainment for the masses, the entertainment is simply manufactured to create the emotion and many forms of entertainment can be used. Football is a very popular one so it was chosen for large rituals. The event simply takes place in honour of the sun gods, again it is not to entertain the masses. The fans are simply hypnotised stooges that endorse the ritual through their free will. The feel good factor connected to the games is simply manipulated to the extreme.
On a spiritual level, the fans, will literally be deceived in to worshipping ‘the chalice’ (The world ‘cup’) that represents pied piper sun deities created by the Serpent Cult. The fans are literally entering sun temples (sports arenas like soccer city) and worshipping their enslaver. By accepting and worshipping this chalice the masses give the right to rule the human race to those that are represented by the Serpent Cult. Has the penny dropped yet?The people at home at the fans fests, mentioned earlier in this article, etc are also joining in the mass sun ritual. They too are literally bowing to the chalice. The ‘world’ cup. It is all a scam hidden behind a sport called football. Again the football has absolutely nothing to do with it. The people in all participating countries that are driving around in cars, symbolic chariots, adorned in occult symbolic flags and emblems are also joining in the ritual. They haven’t a clue what they are doing and the Serpent Cult is pissing itself at human stupidity and the trickery that is taking place.
-Mathew Delooze



The rising star


CIRCLE within a CIRCLE symbolic of secret societies

Phoenix rising out of the ashes

THE OLYMPIC STADIUM LIGHTS:

One glance at the top of the olympic stadium and you will notice some odd-shaped lights, almost looking like giant pyramids at the top of the stadium. The triangular sources of “illumination” that will be featured in worldwide broadcasts to millions of viewers, and preserved forever in still photographs of the 2012 olympic games, bear a striking similarity to the Illuminati pyramid symbol. Why in the world would the organizers and architects conceive of such a design? Have they not looked at the effective and efficient lighting structures of already built stadiums? If you get a close up of the lights, it is even said that the outline of an eye is visible within the overall bulb pattern. Some strange coincidences indeed.



CONCERNING LONDONS 2012 OLYMPICS

  • The Messiah (anti-christ) is said to come out of ZION – the opening ceremonies could give honour to his false serpent messiah
  • London has been dubbed the new Jerusalem – “Zion”
  • Zion is the chosen nation – so what has London been chosen for?
  • We know that 2012 marks the beginning of a change in consciousness towards the mobilisation of the NWO and the ushering in of the anti-christ.



TRIBUTE TO HORUS

THE 2012 MASCOT IS NONE OTHER THAN

THE EYE OF HORUS

BIG BROTHER

LUCIFER

THE ALL SEEING EYE




SALUTING THE ANTI- CHRIST








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